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POETRY

Haibun on the 650 lb. Grand Piano Standing Upright in Biscayne Bay

by Brianna Noll

I put it there because the sea stopped singing. The water swilled about its legs,
floated its long black body easily, like a bar of soap. Out there, it was a lightning
rod, or maybe the lightning. When I pressed the keys, the steel strings loosed
themselves from the pinblock, whipped into the water, and drew out melody—a
voice like cellos, like whalesong.

a quiet ocean
is not an ocean at all
just salt and shimmer

Who knows how long this will last. Slowly the salt will eat away the legs, rust the
pedals. The strings will corrode. Or perhaps the shore itself will erode, taking all
the piano with it. What will be the catalyst then? All the people wading in the
water will turn their faces upward, the sun warming the seaspray on their
cheeks, their ears filled with silence.

crustaceans make homes
beneath the felt-lined hammers
claws strike the quiet

Brianna Noll
Brianna Noll is a Ph.D. candidate in the Program for Writers at the University of Illinois at Chicago, and she is Poetry Editor of The Account: A Journal of Poetry, Prose, and Thought. Her work has appeared, or is forthcoming, in 32 Poems, The Kenyon Review Online, The Missouri Review, Hayden's Ferry Review, Salt Hill, and elsewhere.

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Michaela Brown is a Midwest transplant currently teaching English in Vigo, Spain. She is the first place recipient of the 2020 Marjorie Stover Short Story Prize and has previously been published in Unstamatic Magazine, Gone Lawn, The Daily Drunk, and elsewhere. You can find her on Twitter @mikienbrown.

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Arah Ko is a writer from Hawai’i and the author of Brine Orchid (YesYes Books 2025) and Animal Logic (Bull City Press 2025). Her work has appeared in American Poetry Review, Ninth Letter, The Threepenny Review, New Ohio Review, Poetry Northwest, and elsewhere. Arah edits at Surging Tide Magazine and is pursuing her Ph.D. in English at the University of Cincinnati. Catch her at arahko.com.

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