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Craft Articles

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Emily Jalloul

An Interview with Leah Silvieus | by Hope Fischbach

Leah Silvieus is the author of three poetry collections, most recently, Arabilis (Sundress Publications 2019), and is the co-editor with Lee Herrick of The World I Leave You: An Anthology of Asian American Poets on Faith and Spirit (Orison Books 2020). She is a Kundiman fellow, holds degrees from Whitworth University and the University of Miami, and is currently studying literature and religion at Yale Divinity School.

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Craft
Emily Jalloul

The Poet as God and Failure by Chris McCrackin

Chris McCrackin was born and raised on a small farm in Georgia and holds an undergraduate degree from Washington and Lee University in English and Classics. Currently, he is pursuing an MA in Classics at the University of Georgia as a Beinecke Scholar and Osbourne Fellow. Currently, his academic and creative interests include indigeneity, disability studies, classical reception theory, and hybridity.

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Craft
Emily Jalloul

The Benefits of Not Knowing Your Audience by Jen Grow

Jen Grow’s work has appeared in The Writer’s Chronicle, About Place Journal, The Sun Magazine, The GSU Review, Hunger Mountain, Indiana Review and many others. Her debut story collection, My Life as a Mermaid, won the Dzanc Books Short Story Collection Competition. She was also awarded the 2016 Mary Sawyers Baker Prize for her work as well as a Ruby Award from the Robert W. Deutsch Foundation, and two Individual Artist Awards from the Maryland State Arts Council. She lives in Baltimore and can be reached at www.jengrow.com.

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Craft
Emily Jalloul

The Dark Pages: Updating Patterns of Rape in Fiction by Zoe Marzo

Zoe Marzo is a writer in Los Angeles. She has a B.A. from Antioch University Los Angeles and an M.F.A. in fiction writing from Vermont College of Fine Arts. She’s a doctoral student in Depth Psychology at Pacifica Graduate Institute. Her writing has appeared in The Rumpus, Popshot Quarterly, Tahoma Literary Review, and other publications.

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Craft
Emily Jalloul

Chiasmus by Matthew Wimberley

Matthew Wimberley grew up in the Blue Ridge Mountains. He is the author of two collections of poetry, Daniel Boone’s Window (LSU, 2020), selected by Dave Smith for the Southern Messenger Poetry series, and All the Great Territories (SIU, 2020), winner of the 2018 Crab Orchard Poetry Series First Book award, winner of the Weatherford Award. Winner of the 2015 William Matthews Prize from the Asheville Poetry Review, his work was selected by Mary Szybist for the 2016 Best New Poets Anthology and his writing has appeared most recently in the Poem-a-Day series from the Academy of American Poets. Wimberley received his MFA from NYU where he worked with children at St. Mary’s Hospital as a Starworks Fellow. He is an Assistant Professor of English at Lees-McRae College in Banner Elk, NC.

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Craft
Emily Jalloul

Cultivating Empathy through Mimetic Forms by Brenna Womer

Brenna Womer is an experimental prose writer, poet, and professor. She is the author of honeypot (Spuyten Duyvil, 2019) and two chapbooks, Atypical Cells of Undetermined Significance (C&R Press, 2018) and cost of living (Finishing Line Press, 2022). Her work has appeared in North American Review, Indiana Review, McSweeney’s Internet Tendency, The Pinch, and elsewhere. She is the editor of Shenandoah and a contributing editor for Story Magazine.

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GRIST CRAFT ARTICLES

An Interview with Leah Silvieus | by Hope Fischbach

Leah Silvieus is the author of three poetry collections, most recently, Arabilis (Sundress Publications 2019), and is the co-editor with Lee Herrick of The World I Leave You: An Anthology of Asian American Poets on Faith and Spirit (Orison Books 2020). She is a Kundiman fellow, holds degrees from Whitworth University and the University of Miami, and is currently studying literature and religion at Yale Divinity School.

Read More »

The Poet as God and Failure by Chris McCrackin

Chris McCrackin was born and raised on a small farm in Georgia and holds an undergraduate degree from Washington and Lee University in English and Classics. Currently, he is pursuing an MA in Classics at the University of Georgia as a Beinecke Scholar and Osbourne Fellow. Currently, his academic and creative interests include indigeneity, disability studies, classical reception theory, and hybridity.

Read More »

The Benefits of Not Knowing Your Audience by Jen Grow

Jen Grow’s work has appeared in The Writer’s Chronicle, About Place Journal, The Sun Magazine, The GSU Review, Hunger Mountain, Indiana Review and many others. Her debut story collection, My Life as a Mermaid, won the Dzanc Books Short Story Collection Competition. She was also awarded the 2016 Mary Sawyers Baker Prize for her work as well as a Ruby Award from the Robert W. Deutsch Foundation, and two Individual Artist Awards from the Maryland State Arts Council. She lives in Baltimore and can be reached at www.jengrow.com.

Read More »

The Dark Pages: Updating Patterns of Rape in Fiction by Zoe Marzo

Zoe Marzo is a writer in Los Angeles. She has a B.A. from Antioch University Los Angeles and an M.F.A. in fiction writing from Vermont College of Fine Arts. She’s a doctoral student in Depth Psychology at Pacifica Graduate Institute. Her writing has appeared in The Rumpus, Popshot Quarterly, Tahoma Literary Review, and other publications.

Read More »

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We read for our ProForma Contest every spring from March 15 – April 30 and for general submissions from May 15 – August 15. Our print issue is published annually with accompanying online content.