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POETRY

My Luxurious Escalade

by Ally Harris

A herbarium’s just disruption and volcanic menopause. Planetary against loss, their movement mushrooms fungus gnats and becomes what baffled a phone dribbler who wakes in a breakfast of no spiders, most human relationship barrier, universal iPad of root rot. Rather than bathe in guaranteed bees, destroying erodes children (a poetry itself). The perfect ailment is head down while crossing the street. Does time feel alone? We laid in a well-roasted cobb of summer, ashed and atrophied in any fool’s murder for comfort. A lobe of clouds phoned earth in livid pink. Crows natured on what gave us our safety in numbers, their material we grew into gardens of contagion. So we take our degree of fame and nest into its juices, waiting for the stalk to evolve blades just a bit sharper. Time oozes off its slip. Our being waters time. Echoes gob across the cemetery spit comets to cement, soft as the seat of my car, as thick & sluggish as the Earth’s last river.

Ally Harris
Ally Harris is the author of three chapbooks of poetry: Dispersal (The Song Cave, 2019), Her Twin Was After Me (Slim Princess Holdings, 2014) and floor baby (dancing girl press, 2011). She has poems in Apology Magazine, Denver Quarterly, Bennington Review, BOAAT Press, Grist Journal, Salt Hill, The Volta, and more. She was the recent recipient of a Regional Arts & Culture Council Grant for a project related to her reading series Submission, based out of Portland, OR. You can follow her on Twitter at @submissionpdx.

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Issue 17

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Michaela Brown is a Midwest transplant currently teaching English in Vigo, Spain. She is the first place recipient of the 2020 Marjorie Stover Short Story Prize and has previously been published in Unstamatic Magazine, Gone Lawn, The Daily Drunk, and elsewhere. You can find her on Twitter @mikienbrown.

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Issue 17

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Originally from the DC area, Matthew Moniz has poems appearing in or forthcoming from The Iowa Review, Notre Dame Review, Crab Orchard Review, Meridian, Tupelo Quarterly, Fourteen Hills, and minnesota review. His work has been awarded Poetry by the Sea’s Kim Bridgford Memorial Sonnet Crown Contest prize and the SCMLA Poetry Prize.

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Issue 17

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Arah Ko is a writer from Hawai’i and the author of Brine Orchid (YesYes Books 2025) and Animal Logic (Bull City Press 2025). Her work has appeared in American Poetry Review, Ninth Letter, The Threepenny Review, New Ohio Review, Poetry Northwest, and elsewhere. Arah edits at Surging Tide Magazine and is pursuing her Ph.D. in English at the University of Cincinnati. Catch her at arahko.com.

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More Poetry

We Open on a Field

Michaela Brown is a Midwest transplant currently teaching English in Vigo, Spain. She is the first place recipient of the 2020 Marjorie Stover Short Story Prize and has previously been published in Unstamatic Magazine, Gone Lawn, The Daily Drunk, and elsewhere. You can find her on Twitter @mikienbrown.

Read More »

Parable of Sparrow and Crocodile

Originally from the DC area, Matthew Moniz has poems appearing in or forthcoming from The Iowa Review, Notre Dame Review, Crab Orchard Review, Meridian, Tupelo Quarterly, Fourteen Hills, and minnesota review. His work has been awarded Poetry by the Sea’s Kim Bridgford Memorial Sonnet Crown Contest prize and the SCMLA Poetry Prize.

Read More »

MY GRANDMOTHER AFTER KOREA

Arah Ko is a writer from Hawai’i and the author of Brine Orchid (YesYes Books 2025) and Animal Logic (Bull City Press 2025). Her work has appeared in American Poetry Review, Ninth Letter, The Threepenny Review, New Ohio Review, Poetry Northwest, and elsewhere. Arah edits at Surging Tide Magazine and is pursuing her Ph.D. in English at the University of Cincinnati. Catch her at arahko.com.

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Emily Light is a poet, educator, and mother living in northern New Jersey. Her poetry can be found in such journals as Inch, Salt Hill, Cherry Tree, Cumberland River Review, and RHINO, among others.

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