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POETRY

Heroic Head of Pierre de Wissant, One of the Burghers of Calais (1886) by Auguste Rodin

Megan Neville

It’s not like Christ’s sacrifice was the only one.

Every day somebody leaves

behind thumbprints on another’s face,

  forgets to include the body     which in war

   is legal tender.

Graphite smudges after eleven months of siege,

decades into a sigh that took a master four years to perfect

(sticky & needy,       the residue still grips).

To know is to own when you are of his kind.

Won’t you follow   the gaze, find yourself inside

    writhing like the unborn?

Horses are not immune to the sword.     But anything,

anything

to protect the small (until it grows into a voice).

Inevitable how starvation as a weapon       draws out the keys.

Cringe to live one more day, lips staggering in

the impatient line for our executions

      that never come.

In the end a white queen saves the day, but only to protect her own child.

Artwork by Weston Frazor

Weston Frazor is a multidisciplinary artist who uses art historical reference and appropriation to examine and recontextualize the use of visual narrative in art. He currently lives in Brooklyn, NY. You can find his work on his website: www.westonfrazor.com.
Megan Neville (she/her) is a writer and educator based in Cleveland, Ohio. Her work has appeared or is forthcoming in The Academy of American Poets (Poets.org), Cherry Tree, West Branch, Pleiades, Wildness, McSweeney's, and elsewhere. Her full-length poetry collection The Fallow will be published by Trio House Press in 2022. She is an editorial assistant for Split Lip Magazine, and you can find her on Twitter @MegNev.

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Michaela Brown is a Midwest transplant currently teaching English in Vigo, Spain. She is the first place recipient of the 2020 Marjorie Stover Short Story Prize and has previously been published in Unstamatic Magazine, Gone Lawn, The Daily Drunk, and elsewhere. You can find her on Twitter @mikienbrown.

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