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POETRY

Just Beyond the Tree Line

Jesse Millner

When my grandpa shot a hog or when Grandma broke a chicken’s neck, I was always somewhere else—playing with plastic soldiers in the yard, looking for arrowheads in the woods, or curled up in some sunny place on the front porch reading a book. I never thought much about the hams curing in the smokehouse being the flesh of the actual creatures I’d fed with the slop jar on warm evenings when the crickets were louder than what I should have been thinking about: How everything is connected somehow—animals, people, pigsties, chicken coops, trees—how everything is part and parcel of the animated spirit, the ghost cloud inhabiting every stone and every breathing creature, every stick of wood, every pore in every inch of human flesh, which in the end will be not be sacrificed like the hog or a chicken, like the deer or squirrel or slowest rabbit. Instead, there will be, for most of us, time for reckoning, time to consider the dark that waits for us just beyond the tree line, where in memory, branches whisper just a little—barely audible sighs in the forest near the farmhouse where long acres of skin slough off onto our sheets each night, our beds accumulating the detritus of our bodies, until we are no longer our bodies.

Perhaps we’ll wake up in a railroad station with windows full of the blue skies and cumuli of another destination where many tracks lead toward happier places, where a loudspeaker calls out the names of towns, which is followed by the echoes of thrumming feet and the hushed voices of travelers who are already dreaming of cozy living rooms with blazing fireplaces beyond the journey past miles of frozen fields yielding to forests where the silence falls down from the trees like the dead leaves of an autumn’s perfect sorrow.

Artwork by Chris Norcross

Chris Norcross is a Philadelphia based Artist and musician. His work has appeared in various journals, including Chaleur Magazine, Wild Roof, ICEVIEW, and Slow Time. His current project examines the voyeuristic sentimentality of alienated spaces and people.
Jesse Millner’s poems and prose have appeared most recently in the Blue Mountain Review and Book of Matches. His work was included in The Best American Poetry 2013 and Best Small Fictions 2020. His latest poetry book, Memory’s Blue Sedan, was released in March 2020 by Hysterical Books of Tallahassee, Florida. Jesse teaches writing courses at Florida Gulf Coast University and lives in Estero, Florida, with his dog, Lucy.

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Issue 17

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Michaela Brown is a Midwest transplant currently teaching English in Vigo, Spain. She is the first place recipient of the 2020 Marjorie Stover Short Story Prize and has previously been published in Unstamatic Magazine, Gone Lawn, The Daily Drunk, and elsewhere. You can find her on Twitter @mikienbrown.

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Issue 17

Parable of Sparrow and Crocodile

Originally from the DC area, Matthew Moniz has poems appearing in or forthcoming from The Iowa Review, Notre Dame Review, Crab Orchard Review, Meridian, Tupelo Quarterly, Fourteen Hills, and minnesota review. His work has been awarded Poetry by the Sea’s Kim Bridgford Memorial Sonnet Crown Contest prize and the SCMLA Poetry Prize.

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MY GRANDMOTHER AFTER KOREA

Arah Ko is a writer from Hawai’i and the author of Brine Orchid (YesYes Books 2025) and Animal Logic (Bull City Press 2025). Her work has appeared in American Poetry Review, Ninth Letter, The Threepenny Review, New Ohio Review, Poetry Northwest, and elsewhere. Arah edits at Surging Tide Magazine and is pursuing her Ph.D. in English at the University of Cincinnati. Catch her at arahko.com.

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More Poetry

We Open on a Field

Michaela Brown is a Midwest transplant currently teaching English in Vigo, Spain. She is the first place recipient of the 2020 Marjorie Stover Short Story Prize and has previously been published in Unstamatic Magazine, Gone Lawn, The Daily Drunk, and elsewhere. You can find her on Twitter @mikienbrown.

Read More »

Parable of Sparrow and Crocodile

Originally from the DC area, Matthew Moniz has poems appearing in or forthcoming from The Iowa Review, Notre Dame Review, Crab Orchard Review, Meridian, Tupelo Quarterly, Fourteen Hills, and minnesota review. His work has been awarded Poetry by the Sea’s Kim Bridgford Memorial Sonnet Crown Contest prize and the SCMLA Poetry Prize.

Read More »

MY GRANDMOTHER AFTER KOREA

Arah Ko is a writer from Hawai’i and the author of Brine Orchid (YesYes Books 2025) and Animal Logic (Bull City Press 2025). Her work has appeared in American Poetry Review, Ninth Letter, The Threepenny Review, New Ohio Review, Poetry Northwest, and elsewhere. Arah edits at Surging Tide Magazine and is pursuing her Ph.D. in English at the University of Cincinnati. Catch her at arahko.com.

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One Winter in Vermont

Emily Light is a poet, educator, and mother living in northern New Jersey. Her poetry can be found in such journals as Inch, Salt Hill, Cherry Tree, Cumberland River Review, and RHINO, among others.

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