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POETRY

Origin Story

Paul Christiansen

A current-tumbled stone,
the story’s been told so many times, it’s
smoothed of all its corners.

Âu Cơ and Lạc Long Quân.
She the beautiful mountain fairy,
he the powerful water dragon.

A monster pounced as she traveled.
He rescued her, ushering in familiar tropes – 
lust, love, marriage, family.

In the same way time dulls a story,
it sedates a romance; he didn’t want
to leave his coasts, she longed for her peaks.

They say it was the world’s first amicable divorce.
She took half their 100 children to the highlands, 
he kept half on the beaches. 

This is the origin of the Vietnamese people.
But what’s been lost in the retellings? The pang 
she feels in her gut when crossing riverbeds?

How he must resist the urge to stomp
each sandcastle their children build
that resembles a cliff?

Do they both gaze into the sky,
sighing at the sight of wind
that whisks clouds apart

as it slips untethered across the earth?
Would they trade everything for
such unattachment?

Artwork by Rebecca Pyle

Artwork, essays, poetry, and fiction by Rebecca Pyle have appeared or will soon magically appear in Gris-Gris, Gulf Stream, Rappahannock Review, Cream City Review, Terrain, Penn Review, Honest Ulsterman, and in a yet-unnamed anthology to be published in Australia by Grattan Street Press. Rebecca was a lit and writing and art (see rebeccapyleartist.com) student, once upon a time, and now lives amid many mountains in Utah.
Paul Christiansen received his BA at St. Olaf College and his MFA at Florida International University. He is the author of Beneath Saigon’s Chò Nâu (Phương Nam Publishing House), a bilingual collection of essays and the co-editor of A Rainy Night in the City (Hanoi Publishing House), a bilingual anthology of short stories. His poetry has appeared or is forthcoming in Atlanta Review, Best New Poets, Pleiades, Quarter After Eight, Threepenny Review, Zone Three and elsewhere. A former Fulbright Fellow, he currently resides in Saigon and works as content director for Saigoneer.

More Poetry

Issue 17

We Open on a Field

Michaela Brown is a Midwest transplant currently teaching English in Vigo, Spain. She is the first place recipient of the 2020 Marjorie Stover Short Story Prize and has previously been published in Unstamatic Magazine, Gone Lawn, The Daily Drunk, and elsewhere. You can find her on Twitter @mikienbrown.

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Issue 17

Parable of Sparrow and Crocodile

Originally from the DC area, Matthew Moniz has poems appearing in or forthcoming from The Iowa Review, Notre Dame Review, Crab Orchard Review, Meridian, Tupelo Quarterly, Fourteen Hills, and minnesota review. His work has been awarded Poetry by the Sea’s Kim Bridgford Memorial Sonnet Crown Contest prize and the SCMLA Poetry Prize.

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Issue 17

MY GRANDMOTHER AFTER KOREA

Arah Ko is a writer from Hawai’i and the author of Brine Orchid (YesYes Books 2025) and Animal Logic (Bull City Press 2025). Her work has appeared in American Poetry Review, Ninth Letter, The Threepenny Review, New Ohio Review, Poetry Northwest, and elsewhere. Arah edits at Surging Tide Magazine and is pursuing her Ph.D. in English at the University of Cincinnati. Catch her at arahko.com.

Read More »

More Poetry

We Open on a Field

Michaela Brown is a Midwest transplant currently teaching English in Vigo, Spain. She is the first place recipient of the 2020 Marjorie Stover Short Story Prize and has previously been published in Unstamatic Magazine, Gone Lawn, The Daily Drunk, and elsewhere. You can find her on Twitter @mikienbrown.

Read More »

Parable of Sparrow and Crocodile

Originally from the DC area, Matthew Moniz has poems appearing in or forthcoming from The Iowa Review, Notre Dame Review, Crab Orchard Review, Meridian, Tupelo Quarterly, Fourteen Hills, and minnesota review. His work has been awarded Poetry by the Sea’s Kim Bridgford Memorial Sonnet Crown Contest prize and the SCMLA Poetry Prize.

Read More »

MY GRANDMOTHER AFTER KOREA

Arah Ko is a writer from Hawai’i and the author of Brine Orchid (YesYes Books 2025) and Animal Logic (Bull City Press 2025). Her work has appeared in American Poetry Review, Ninth Letter, The Threepenny Review, New Ohio Review, Poetry Northwest, and elsewhere. Arah edits at Surging Tide Magazine and is pursuing her Ph.D. in English at the University of Cincinnati. Catch her at arahko.com.

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One Winter in Vermont

Emily Light is a poet, educator, and mother living in northern New Jersey. Her poetry can be found in such journals as Inch, Salt Hill, Cherry Tree, Cumberland River Review, and RHINO, among others.

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