Submit

show us your work

Subscribe

to the publication

ProForma

enter contest

Submit

show us your work

Subscribe

to the publication

ProForma

enter contest

POETRY

Ser La Leche

Clayre Benzadón

Gutpunch as soon as the soap-sour aroma touches the two front teeth, buoys creamy, full-bodied, at the roof of the mouth, gurgle-clogs the throat with foam.

O se, mala leche. Si tomas leche así, del carton, y sabe podrida: mala suerta, sabes?

As in, I am the milk, like I am the shit, sick, in liquid form—take me as I am.

Cuando te doy una leche—it’s a gesture towards sweetness, sis. I’m thinking of the juxtaposition of the phrase “don’t cry over spilled milk,” and how the tongue is naturally more sensitive to dulce (de leche) when things are hotter (like me, when I want to be).

I’m thinking more of the spilling as useful, a tactic, pouring a glass of it over your head: here, have this milk, drink it, bit(ch) of milk magic (like Milk Bar, or the makeup company).

Sometimes, the sourness begins to froth when mom or dad tells me, “estás de mala leche hoy,” or especially when remembering the taste of the off-white liquid protein substitute they used to make me gulp down—I’d hold my nose every time I had to ingest a tablespoon of artificial lemon, a toxin I’d almost puke back into the amber bottle—

For dad, the most important part of a child’s growth involved strong bones: his reminder—proteina!—sounded like the got milk? campaign, but to advertise Cola Cao Chocolate Drink Mix instead; worst would have been to have a son who ended up enclenque, weak, feeble, lanky . . .

I lap up what I can get, I guess; see, I am the milk because the body inhabits what it’s most averse to. Milk is the food of the gods, the first human diet, yet galactosemia means something else: galactose + blood, or the accumulation of galactose in my blood, the inability to properly metabolize sugar into the galactic—in this way I unshapen, travel all the way down to the gut, then eventually collect in the liver.

Sí, soy la leche. Maybe I’m milking it, but my instincts tell me I’ve been that lost boy on the milk carton for so long, people finally know who I am: except I’m not the proud son, I don’t have the muscle for it. Sometimes it meant I was the schoolkid without a proper birthday party (I couldn’t have my cake, and I couldn’t eat it either).

    Women tend to have smaller, thinner bones than men.

I’m trying to metabolize this fact. I’m churning it. No matter what form the milk surfaces as, maybe all I’m reaching for, wading towards, is to reach kin above the milk skin, to form into nata, a delicacy soft to taste, melt-in-the-mouth digestible.

What it really boils down to is this:

more than I try to skim
/ the girl out myself,

more than anything,

          I’m the (m)ilk
          / of my mother.

Author photo of Clayre Benzadon
Clayre Benzadón is an MFA graduate student at the University of Miami, managing editor of Sinking City, and Broadsided Press’s Instagram editor. Her chapbook, “Liminal Zenith” was published by SurVision Books. She was also awarded the 2019 Alfred Boas Poetry Prize for "Linguistic Rewilding" and published in places including SWWIM, 14poems, and Crêpe and Penn, as well as forthcoming in ANMLY and Fairy Tale Review. You can find more about her at clayrebenzadon.com.

More Poetry

Issue 16

The Judas Tree

Erica Wright is the author of seven books, including the poetry collection All the Bayou Stories End with Drowned (Black Lawrence Press) and the essay collection Snake (Bloomsbury). She was the poetry editor of Guernica for more than a decade.

Read More »
Issue 16

If I Erase My Body

Jennifer Whalen (she/her) is a poet & educator from the Northern Kentucky/Cincinnati, Ohio area. She is the author of the poetry collection Eveningful (2024), which was selected by Rick Barot as the winner of the 2022 Lightscatter Press Prize. Her poems can be found in Gulf Coast, Denver Quarterly, Southern Indiana Review, New South, Glass: A Journal for Poetry, The Boiler, & elsewhere. She previously served as writer-in-residence at Texas State University’s Clark House and currently teaches English at the University of Illinois Springfield.

Read More »
Issue 16

When I Grow Up I Want to Be the Culmination of Things I Took for Granted

Hiba Tahir is a YA author and 2022 graduate of the University of Arkansas MFA, where she received the Carolyn Walton Cole Endowment Fund, the J. Chester and Freda S. Johnson Graduate Fellowship, and the James T. Whitehead Award. She is a 2020 recipient of an Artists 360 Grant from Mid-America Arts Alliance and a 2021 Individual Artist Fellowship from the Arkansas Arts Council. She currently serves on the editorial board of Nimrod International Journal.

Read More »

More Poetry

The Judas Tree

Erica Wright is the author of seven books, including the poetry collection All the Bayou Stories End with Drowned (Black Lawrence Press) and the essay collection Snake (Bloomsbury). She was the poetry editor of Guernica for more than a decade.

Read More »

If I Erase My Body

Jennifer Whalen (she/her) is a poet & educator from the Northern Kentucky/Cincinnati, Ohio area. She is the author of the poetry collection Eveningful (2024), which was selected by Rick Barot as the winner of the 2022 Lightscatter Press Prize. Her poems can be found in Gulf Coast, Denver Quarterly, Southern Indiana Review, New South, Glass: A Journal for Poetry, The Boiler, & elsewhere. She previously served as writer-in-residence at Texas State University’s Clark House and currently teaches English at the University of Illinois Springfield.

Read More »

When I Grow Up I Want to Be the Culmination of Things I Took for Granted

Hiba Tahir is a YA author and 2022 graduate of the University of Arkansas MFA, where she received the Carolyn Walton Cole Endowment Fund, the J. Chester and Freda S. Johnson Graduate Fellowship, and the James T. Whitehead Award. She is a 2020 recipient of an Artists 360 Grant from Mid-America Arts Alliance and a 2021 Individual Artist Fellowship from the Arkansas Arts Council. She currently serves on the editorial board of Nimrod International Journal.

Read More »

Angels

Susannah Sheffer’s poetry collections are This Kind of Knowing (Cooper Dillon Books, 2013), Break and Enter (Kelsay Books, 2021), and a new book forthcoming from Cornerstone Press’s Portage Poetry Series in early 2025. Her nonfiction books include Fighting for Their Lives: Inside the Experience of Capital Defense Attorneys (Vanderbilt University Press, 2013). She lives in Western Massachusetts.

Read More »