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POETRY

Of all the things I am guilty of,

Jesse Millner

the afternoon beers, the quick shots of bourbon, the badly rolled joints—of all the slurred choices I made under the influence of something greater than myself, I regret most those long hours shaped by bad choices, like an October morning I called in sick and drank beer to wash down a couple of Darvon capsules the dentist had given me for an abscessed tooth. I listened to my neighbor’s cats running upstairs across oak floors until there was a kind of music to their thudding paws that broke the misery for just a second or two of remembering my wife had left me for a furniture maker from North Carolina and the rent was due last Thursday, so I’d have to hide from the landlady for a week or so until I got paid again. My bad choices accumulated like snow on a January morning when cold and misery were indisputable facts. I brewed Maxwell House, then pulled the Jim Beam bottle down from the kitchen cabinet and poured a generous helping of hospitality into the coffee that steamed with caffeinated enthusiasm. I went both ways: wired yet drunk and drowsy as I looked out the window into a world that was vanishing: streetlights dimming in the storm, Addison Street disappearing, even the Victorian two-flats across the alley had sunken beneath the world’s grey horizon. By the way, the day I called in sick, my stomach did hurt so I wasn’t lying, and the booze-Darvon duo made me feel better until my appendix burst in an operating room at Illinois Masonic. For two weeks, a plastic tube drained pus from my left side as I watched soap operas on the TV I shared with a homeless guy whose head had been busted in while he drank cheap wine on Division Street. It’s funny, now I’m remembering how the homeless guy and I had dueling controls to the TV and how he’d change it from General Hospital to some silly game show and how I’d click it right back. One night, I turned on the Bears’ game and watched them lose in Green Bay as early snow flurries drifted across the screen until my roommate made that world vanish into a cop show with shots fired into the night, so I fell asleep to sirens and trouble and didn’t wake up until the nurse poked me with a needle full of pain medication, which lifted me up toward Paradise and I swear to god, I could almost smell Jesus’ cheap cologne. 

Artwork by Christopher Norcross

Chris Norcross is a Philadelphia based Artist and musician. His work has appeared in various journals, including Chaleur Magazine, Wild Roof, ICEVIEW, and Slow Time. His current project examines the voyeuristic sentimentality of alienated spaces and people.
Jesse Millner’s poems and prose have appeared most recently in the Blue Mountain Review and Book of Matches. His work was included in The Best American Poetry 2013 and Best Small Fictions 2020. His latest poetry book, Memory’s Blue Sedan, was released in March 2020 by Hysterical Books of Tallahassee, Florida. Jesse teaches writing courses at Florida Gulf Coast University and lives in Estero, Florida, with his dog, Lucy.

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