Craft Articles
Zoshchenko’s Unstable We: The Tension of Collective Plurals in Soviet Fiction by Alina Stefanescu
Alina Stefanescu was born in Romania and lives in Birmingham, Alabama with her partner and several intense mammals. Her writing can be found in diverse journals, including Prairie Schooner, North American Review, FLOCK, Southern Humanities Review, Crab Creek Review, Virga, Whale Road Review, and others. She serves as Poetry Editor for Pidgeonholes, Poetry Editor for Random Sample Review, Poetry Reviewer for Up the Staircase Quarterly, and Co-Director of PEN America’s Birmingham Chapter. She was nominated for 5 Pushcart Prizes by various journals in 2019. A finalist for the 2019 Kurt Brown AWP Prize, Alina won the 2019 River Heron Poetry Prize. She still can’t believe (or deserve) any of this. More online at www.alinastefanescuwriter.com.
The Issue of Race in Writing by Cynthia Robinson Young
Cynthia Robinson Young, an adjunct professor of Special Education at Covenant College, is also a graduate student at the University of Tennessee in Chattanooga. Her work has appeared in journals including The Amistad, Rigorous, The Ekphrastic Review, and Freedom Fiction. She was the Poetry Editor for the 2020 issue of Catalpa: a magazine of Southern perspectives, and named Finalist for her poetry chapbook, Migration, in the 2019 Georgia Author of the Year Awards in her category.
Heartwood by Kimberly Hoff
Kimberly Hoff is an environmental educator and a nature essayist who currently lives in the Pioneer Valley of Massachusetts. She has been published in Northern Woodlands Magazine and in Explore! (Mass Audubon’s member magazine).
The Flowers of Afterthought: Premises and Strategies for Revision by David Jauss
David Jauss is the author of four collections of short stories, including Glossolalia: New & Selected Stories and Nice People: New & Selected Stories II, two volumes of poetry, and the essay collection Alone With All That Could Happen (reprinted in paperback as On Writing Fiction). His stories have won the AWP Award for Short Fiction and National Endowment for the Arts and Michener Fellowships and they have been reprinted in the Best American Short Stories, O. Henry Award, and Pushcart Prize anthologies. He teaches fiction writing at Vermont College of Fine Arts and is completing a new collection of essays on the craft of fiction titled The World Inside the World.
Against the Death Drive: Queer Joy in Chen Chen’s When I Grow Up I Want to Be a List of Further Possibilities by Dana Alsamsam
Dana Alsamsam is the author of a chapbook, (in)habit (tenderness lit, 2018), and her poems are published or forthcoming in The Massachusetts Review, North American Review, The Shallow Ends, Gigantic Sequins, Tinderbox Poetry, Salamander, BOOTH, The Common and others. Critical prose appears in The Rumpus. Her work has been supported by a fellowship from Lambda Literary’s Writers Retreat for Emerging LGBTQ Voices.
The Wild Feminine: Five poems by Ada Limón by Dion O’Reilly
Dion O’Reilly has spent much of her life on a farm in the Santa Cruz Mountains. Her poetry appears or is forthcoming in New Ohio Review, Sugar House Review, Rattle, The Sun, Massachusetts Review, New Letters, Bellingham Review, Atlanta Review, Catamaran, and a variety of other literary journals and anthologies, including an upcoming Lambda Literary Anthology. Her work has been nominated for Pushcarts, the Intro Journals Project, and was sent to the judges for the Folio Literary Journal Poetry Contest and her first manuscript, Ghost Dog, was a finalist for the Catamaran Book Prize.
GRIST CRAFT ARTICLES
Dramatic Situation: On Listening for Story in Poetry | by A. Loudermilk
A. Loudermilk’s Strange Valentine won the Crab Orchard Series in Poetry First Book Award. His poems can be found in publications like Cream City Review, Gargoyle, Smaritsh Pace, Gay & Lesbian Review Worldwide, and Tin House, and his essays in The Writer’s Chronicle, PopMatters, Midwest Quarterly, and the Journal of International Women’s Studies. He’s taught creative writing at Hampshire College and Maryland Institute College of Arts.
Dissent by Descent—Diving into the Madness and Rejecting Genre Boundaries | by Cassidy McCants
Cassidy McCants is a writer and editor from Tulsa, Oklahoma. She received her M.F.A. in fiction writing at Vermont College of Fine Arts. She edits for Nimrod Journal and is creator/editor of Apple in the Dark. Her prose has appeared in The Lascaux Review, Liars’ League NYC, Gravel, The Idle Class, filling Station, Witch Craft Magazine, and other publications. She won the 2020 Innovative Short Fiction Contest from The Conium Review, and her stories have received honorable mentions from Glimmer Train Press. She is a 2020 Artist INC fellow.
The Nonfiction of Skin | by Alizabeth Worley
Alizabeth Worley lives in Utah with her husband, Michael, and their two sons, just north of BYU where she received an MFA. She was a 2016 poetry winner of the AWP Intro Journals award and her essays, poems, and illustrated works have appeared in Iron Horse Literary Review, Hobart, Sweet: A Literary Confection, and elsewhere. You can find more of her work at alizabethworley.com.
What Is Poetry For? | by James McKee
James McKee enjoys failing in his dogged attempts to keep pace with the unrelenting cultural onslaught of late-imperial Gotham. His debut poetry collection, The Stargazers, was published in the spring of 2020, and his poems have appeared or are forthcoming in New Ohio Review, New World Writing, The Ocotillo Review, Illuminations, CutBank, The Raintown Review, Flyway, Saranac Review, THINK, The Midwest Quarterly, Xavier Review, and elsewhere. He spends his free time, when not writing or reading, traveling less than he would like and brooding more than he can help.
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