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Portrait of Arthur Rimbaud by Jean-Louis Forain. Via Wikimedia Commons.
Craft

Why Translate? by Darren Jackson

Darren Jackson’s poems and translations have appeared or are forthcoming in Circumference, The Pinch, The Laurel Review, The Offending Adam, Bluestem, and other journals. He has translated Life in the Folds by Henri Michaux (Wakefield Press, forthcoming Fall 2014); “The White Globe,” an essay by Bertrand Westphal, forthcoming from Northwestern University Press in The Planetary Turn: Art, Dialogue, and Geoaesthetics in the 21st Century; and A Free Air by Albane Gellé. He also collaborated with Marilyn Kallet and J. Bradford Anderson on the translation of Chantal Bizzini’s Disenchanted City (Black Widow Press, September 2014).

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GRIST CRAFT ARTICLES

On Place | by Sharon Fagan McDermott & When I Say Here | by M.C. Benner Dixon

Sharon Fagan McDermott is a poet, musician, and a teacher of literature at a private school in Pittsburgh, PA. Her most recent collection of poetry, Life Without Furniture, published by Jacar Press (2018) wrestles with finding and feeling at home in the world and seeking sanctuary in an often challenging life. As National Book Award winning poet Terrance Hayes says about this new collection: “Sharon Fagan McDermott inhabits the spaces between the common and the uncommon…The whole world, visible and invisible, inhabits this wonderful new book.” Additionally, Fagan McDermott has published three chapbook collections, Voluptuous, Alley Scatting (Parallel Press, 2005), and Bitter Acoustic, which won the 2011 Jacar Press Chapbook competition.

M.C. Benner Dixon lives, writes, and grows things in Pittsburgh, PA. Working in both prose and poetry, her writing has appeared in the Los Angeles Review Online, Sampsonia Way, SLICE Magazine, Appalachian Review, Vastarien, HeartWood Literary Magazine, pacificREVIEW, Paperbark Literary Magazine, Tiny Seed Literary Journal, and elsewhere.

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Dramatic Situation: On Listening for Story in Poetry | by A. Loudermilk

A. Loudermilk’s Strange Valentine won the Crab Orchard Series in Poetry First Book Award. His poems can be found in publications like Cream City Review, Gargoyle, Smaritsh Pace, Gay & Lesbian Review Worldwide, and Tin House, and his essays in The Writer’s Chronicle, PopMatters, Midwest Quarterly, and the Journal of International Women’s Studies. He’s taught creative writing at Hampshire College and Maryland Institute College of Arts.

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Dissent by Descent—Diving into the Madness and Rejecting Genre Boundaries | by Cassidy McCants

Cassidy McCants is a writer and editor from Tulsa, Oklahoma. She received her M.F.A. in fiction writing at Vermont College of Fine Arts. She edits for Nimrod Journal and is creator/editor of Apple in the Dark. Her prose has appeared in The Lascaux Review, Liars’ League NYC, Gravel, The Idle Class, filling Station, Witch Craft Magazine, and other publications. She won the 2020 Innovative Short Fiction Contest from The Conium Review, and her stories have received honorable mentions from Glimmer Train Press. She is a 2020 Artist INC fellow.

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The Nonfiction of Skin | by Alizabeth Worley

Alizabeth Worley lives in Utah with her husband, Michael, and their two sons, just north of BYU where she received an MFA. She was a 2016 poetry winner of the AWP Intro Journals award and her essays, poems, and illustrated works have appeared in Iron Horse Literary Review, Hobart, Sweet: A Literary Confection, and elsewhere. You can find more of her work at alizabethworley.com.

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Show us your work.

We read for our ProForma Contest every spring from March 15 – April 30 and for general submissions from May 15 – August 15. Our print issue is published annually with accompanying online content.