Craft Articles
The Signifier Expresses Its Meaning Through the Writer: Superstition, Synchronicity and Writing Style by Michael Shou-Yung Shum
Michael Shou-Yung Shum is a PhD candidate in the Creative Writing Program at the University of Tennessee. His most recent work appears in Burrow Press Review, Spolia, and Your Impossible Voice.
The Art of the Aural Narrative: Podcasts to Inspire Your Writing by Rob McGinley Myers
Rob McGinley Myers is the host of his own podcast, Anxious Machine, which features stories about how humans are affected by the things that we’ve invented. He’s also a member of The Heard, a podcast collective that (full-disclosure) includes several of the podcasts mentioned above. But he’d be a fan of all of them no matter what.
The Business of Writing by Heather Dobbins
Heather Dobbins’s poems and poetry reviews have appeared in Beloit Poetry Review, CutBank, Raleigh Review, The Southern Poetry Anthology (Tennessee), The Rumpus, and TriQuarterly Review, among others. She has been awarded scholarships and fellowships to Squaw Valley Community of Writers, Vermont Studio Center, and the Virginia Center for Creative Arts’ workshop in Auvillar, France. Dobbins graduated from the College Scholars program at the University of Tennessee, Knoxville. After several years of earning graduate degrees in California and Vermont, she returned to her hometown of Memphis. Her debut, In the Low Houses, was published in 2014. For more information, visit heatherdobbins.com
All Roads Leading Home by Elwin Cotman
A native of Pittsburgh, PA, Elwin Cotman is a performance artist, educator, activist, and the author of two collections of fantasy short stories. He has toured across North America doing readings, and has performed at venues such as Bluestockings, Artomatic, Quimby’s, TerPoets, and the Interdisciplinary Writers Workshop. He currently lives in Oakland, CA, and is at work on his first novel.
Advice to Beginning Writers: Be Quick and Take Your Chances by Vanessa Blakeslee
Vanessa Blakeslee’s debut short story collection, Train Shots, is now available from Burrow Press. Her writing has appeared in The Southern Review, Green Mountains Review, The Paris Review Daily, The Globe and Mail, and Kenyon Review Online, among many others. She has also been awarded grants and residencies from Yaddo, the Virginia Center for the Creative Arts, The Banff Centre, Ledig House, the Ragdale Foundation, and in 2013 received the Individual Artist Fellowship in Literature from the Florida Division of Cultural Affairs.
Why Translate? by Darren Jackson
Darren Jackson’s poems and translations have appeared or are forthcoming in Circumference, The Pinch, The Laurel Review, The Offending Adam, Bluestem, and other journals. He has translated Life in the Folds by Henri Michaux (Wakefield Press, forthcoming Fall 2014); “The White Globe,” an essay by Bertrand Westphal, forthcoming from Northwestern University Press in The Planetary Turn: Art, Dialogue, and Geoaesthetics in the 21st Century; and A Free Air by Albane Gellé. He also collaborated with Marilyn Kallet and J. Bradford Anderson on the translation of Chantal Bizzini’s Disenchanted City (Black Widow Press, September 2014).
GRIST CRAFT ARTICLES
Against the Death Drive: Queer Joy in Chen Chen’s When I Grow Up I Want to Be a List of Further Possibilities by Dana Alsamsam
Dana Alsamsam is the author of a chapbook, (in)habit (tenderness lit, 2018), and her poems are published or forthcoming in The Massachusetts Review, North American Review, The Shallow Ends, Gigantic Sequins, Tinderbox Poetry, Salamander, BOOTH, The Common and others. Critical prose appears in The Rumpus. Her work has been supported by a fellowship from Lambda Literary’s Writers Retreat for Emerging LGBTQ Voices.
The Wild Feminine: Five poems by Ada Limón by Dion O’Reilly
Dion O’Reilly has spent much of her life on a farm in the Santa Cruz Mountains. Her poetry appears or is forthcoming in New Ohio Review, Sugar House Review, Rattle, The Sun, Massachusetts Review, New Letters, Bellingham Review, Atlanta Review, Catamaran, and a variety of other literary journals and anthologies, including an upcoming Lambda Literary Anthology. Her work has been nominated for Pushcarts, the Intro Journals Project, and was sent to the judges for the Folio Literary Journal Poetry Contest and her first manuscript, Ghost Dog, was a finalist for the Catamaran Book Prize.
Current: An Interview with Rebecca Morgan Frank About Her 2017 Collection Sometimes We’re All Living in A Foreign Country by Allison Pitinii Davis
Allison Pitinii Davis is the author of Line Study of a Motel Clerk (Baobab Press, 2017) and Poppy Seeds (Kent State University Press, 2013), winner of the Wick Poetry Chapbook Prize. She holds an MFA from Ohio State University and fellowships from Stanford University’s Wallace Stegner program and the Fine Arts Work Center in Provincetown. She’s a PhD student at The University of Tennessee.
The Shattered Novel: Rules of Fragmented Fiction by Samantha Edmonds
Samantha Edmonds’s fiction has appeared or is forthcoming in such journals as Day One, Black Warrior Review, Pleiades, Indiana Review, Monkeybicycle, and McSweeney’s Internet Tendency. Her nonfiction has been published in Bustle, Elite Daily, Ravishly, and more. She currently lives in Knoxville, where she’s an MFA candidate at the University of Tennessee. Visit her online at www.samanthaedmonds.com.
Show us your work.
We read for our ProForma Contest every spring from March 15 – April 30 and for general submissions from May 15 – August 15. Our print issue is published annually with accompanying online content.