Craft Articles

Why Translate? by Darren Jackson
Darren Jackson’s poems and translations have appeared or are forthcoming in Circumference, The Pinch, The Laurel Review, The Offending Adam, Bluestem, and other journals. He has translated Life in the Folds by Henri Michaux (Wakefield Press, forthcoming Fall 2014); “The White Globe,” an essay by Bertrand Westphal, forthcoming from Northwestern University Press in The Planetary Turn: Art, Dialogue, and Geoaesthetics in the 21st Century; and A Free Air by Albane Gellé. He also collaborated with Marilyn Kallet and J. Bradford Anderson on the translation of Chantal Bizzini’s Disenchanted City (Black Widow Press, September 2014).

A Bio You Won’t Read: I Am From Nowhere and My Work Does Not Address a Sense of Place by Charlotte Pence
Charlotte Pence’s first full-length poetry collection, Spike, will be released by Black Lawrence Press in 2014. A professor of English and creative writing at Eastern Illinois University, she is also the author of two award-winning poetry chapbooks and the editor of The Poetics of American Song Lyrics (University Press of Mississippi, 2012).

On Messiness and Polish: Some Thoughts on Publishing and Why We’re Launching a Blog by Christian Anton Gerard
Christian Anton Gerard is editor-in-chief of Grist. His first book of poems, Wilmot Here, Collect For Stella, is forthcoming in spring 2014 from WordTech.

Beyond the Black and White: Adding Depth and Complexity to the Short Story by Tawnysha Greene
Tawnysha Greene received her PhD from the University of Tennessee where she served as the fiction editor for Grist: The Journal for Writers. Her work has appeared in PANK, Bellingham Review, and Weave Magazine. Her first novel, A House Made of Stars, was released from Burlesque Press in 2015.
GRIST CRAFT ARTICLES

The Shattered Novel: Rules of Fragmented Fiction by Samantha Edmonds
Samantha Edmonds’s fiction has appeared or is forthcoming in such journals as Day One, Black Warrior Review, Pleiades, Indiana Review, Monkeybicycle, and McSweeney’s Internet Tendency. Her nonfiction has been published in Bustle, Elite Daily, Ravishly, and more. She currently lives in Knoxville, where she’s an MFA candidate at the University of Tennessee. Visit her online at www.samanthaedmonds.com.

Wings and Scythes: An Interview with Kristin Robertson About Craft and Her Debut Poetry Collection, Surgical Wing by Hank Backer
Hank Backer teaches English at the University of Tennessee. He recently graduated from Georgia State University’s creative writing program, where he worked as an assistant editor for Five Points and a poetry editor for New South. He’s been previously published in Red Paint Hill, Loose Change, Sixty Six: A Journal of Sonnet Studies, and The Rectangle.

Death, Art, and Writing by Ryan Masters
Ryan Masters is an MFA in Creative Non-Fiction student at Washington University in St. Louis. His recent essay, “Unless a Kernal of Wheat Falls,” was published in Image and appears in the Notables section of this year’s Best American Essays series.

A Whale is a Whale is a Home is a Lamp: An Interview with Dana Diehl About Craft and Her Debut Story Collection, Our Dreams Might Align by Michelle Ross
Michelle Ross is the author of THERE’S SO MUCH THEY HAVEN’T TOLD YOU, winner of the 2016 Moon City Press Short Fiction Award (Moon City Press 2017). Her writing has appeared in The Common, Cream City Review, Hobart, Moon City Review, and other venues. She lives in Tucson, Arizona, where she works as a science writer and serves as fiction editor for Atticus Review. More about her writing can be found at michellenross.com.
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