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Poetry

Issue 17

Snakes All the Way Down by Lou Terlikowski

Lou Terlikowski is an Appalachian poet who cannot stop thinking about family, inheritance, and the beauty of her home. She loves the mountains and is grateful for the time she spent earning an MFA at the University of Alabama and the University of Oregon. Her work can be found in Blue Earth Review, Screen Door Review, Psychopomp, and in small piles throughout her house.

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Issue 17

Dear Honeybees, the Wind Unhinges by Dawn Terpstra

Dawn Terpstra is a poet, writer and beekeeper from Iowa. Her journal publications include Cities of the Plains: An Anthology of Iowa Poets and Artists, Pratik: Magazine of Contemporary Literature, Midwest Quarterly, Halfway Down the Stairs, Verse Daily, 2River, Ekphrastic Review and SWWIM. She is the author of a chapbook Songs from the Summer Kitchen. Her work has been nominated for a Pushcart Prize and Best of the Net. She is a graduate student working toward her MFA in creative writing at Pacific Lutheran University’s Rainier Writing Workshop. She is the Poetry Editor of River Heron Review. Learn more at dawnterpstra.com.

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Issue 17

“Forsythia” and “Act of Some Minor God” by Kate Welsh

Born and raised along the Mississippi River, Kate Welsh now lives in Brooklyn, NY. She holds a BA from Barnard College and an MFA from Warren Wilson College, where she was the Rona Jaffe Graduate Fellow in 2021. In addition to Grist, her work can be found in or is forthcoming from Variant Lit, Epiphany, SWWIM Every Day, and West Trade Review, among others. She is the co-founder/co-editor of The Swannanoa Review. www.kate-welsh.com

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Issue 17

Ghazal Across a Series of Construction Lines Marked A’ Through G’ by Shou Jie Eng

Shou Jie Eng is an architectural designer and writer. Originally from Singapore, he runs Left Field Projects, a design and research practice located in Hartford, CT. His writing has appeared in Tupelo Quarterly, Cathexis Northwest, Softblow, Speculative Nonfiction, and the anthology New Singapore Poetries. He teaches drawing and representation at the Rhode Island School of Design.

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Issue 17

20 Ways to Start a Poem by Rebecca Danelly

Rebecca Danelly holds an MFA in Creative Writing from Texas State University and is currently co-editor of poetry at “table//Feast Mag.” Her poems have been published in the anthology, Chaos, Dive, Reunion by Mutabilis Press, Defunkt Magazine, and in numerous other journals and anthologies. She is a mother and grandmother, a United States Air Force veteran, and teaches college writing in Houston on former Akokisa, Atakapa, Karankawa, and Sana land where she
resides with her partner, Jeremy, and Daisy, the oversized chihuahua.

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Issue 16

The Judas Tree

Erica Wright is the author of seven books, including the poetry collection All the Bayou Stories End with Drowned (Black Lawrence Press) and the essay collection Snake (Bloomsbury). She was the poetry editor of Guernica for more than a decade.

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Issue 16

If I Erase My Body

Jennifer Whalen (she/her) is a poet & educator from the Northern Kentucky/Cincinnati, Ohio area. She is the author of the poetry collection Eveningful (2024), which was selected by Rick Barot as the winner of the 2022 Lightscatter Press Prize. Her poems can be found in Gulf Coast, Denver Quarterly, Southern Indiana Review, New South, Glass: A Journal for Poetry, The Boiler, & elsewhere. She previously served as writer-in-residence at Texas State University’s Clark House and currently teaches English at the University of Illinois Springfield.

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Issue 16

When I Grow Up I Want to Be the Culmination of Things I Took for Granted

Hiba Tahir is a YA author and 2022 graduate of the University of Arkansas MFA, where she received the Carolyn Walton Cole Endowment Fund, the J. Chester and Freda S. Johnson Graduate Fellowship, and the James T. Whitehead Award. She is a 2020 recipient of an Artists 360 Grant from Mid-America Arts Alliance and a 2021 Individual Artist Fellowship from the Arkansas Arts Council.

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Issue 16

Angels

Susannah Sheffer’s poetry collections are This Kind of Knowing (Cooper Dillon Books, 2013), Break and Enter (Kelsay Books, 2021), and a new book forthcoming from Cornerstone Press’s Portage Poetry Series in early 2025. Her nonfiction books include Fighting for Their Lives: Inside the Experience of Capital Defense Attorneys (Vanderbilt University Press, 2013). She lives in Western Massachusetts.

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Issue 16

The Ferry

John Poch’s most recent books are God’s Poems: The Beauty of Poetry and the Christian Imagination (St. Augustine’s Press 2022) and Notes on the Poet (Measure Press 2023).

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Issue 16

my ruins

Jerry Lieblich (they/them) plays in the borderlands of theater, poetry, and music. Their work experiments with language as a way to explore unexpected textures of consciousness and attention. Plays include D Deb Debbie Deborah (Critic’s Pick: NY Times), Ghost Stories (Critic’s Pick: TimeOut NY), and Everything for Dawn (Experiments in Opera). Their poetry has appeared in Foglifter, SOLAR, Pomona Valley Review, Cold Mountain Review, and Works and Days. Jerry has held residencies at MadCowell, MassMoCA, Blue Mountain Center, Millay Arts, and UCROSS, and is a Helix Fellow with Yiddishkayt. MFA: Brooklyn College. www.thirdear.nyc, IG: @apophatic_attic.

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Issue 16

Bliss as a Metaphor for the Catenary Curve

Michael T. Lawson studied poetry and biostatistics at the University of North Carolina at Chapel Hill, earning a PhD in the latter and fostering a love of the former. His work has been published in Tar River Poetry, Ninth Letter, Nimrod International Journal, and Four Way Review, among others. He currently resides in Boston, MA, where he works as a data analyst.

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Grist is publishes a print publication annually featuring work of high literary quality from both emerging and established writers. Welcoming all styles and aesthetic approaches, Grist is committed to diversity, inclusivity, cultural interchange, and respect for all individuals who are part of the literary community.