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Poetry

Sam Ross
Issue 11
jillfornewgrist

Indiana, Not Indiana

Sam Ross’s first book Company was selected by Carl Phillips for the Levis Poetry Prize and is forthcoming in 2019 from Four Way Books.

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Karyna McGlynn
Issue 11
jillfornewgrist

Maw-Maw’s Pineapple Pantsuit

Karyna McGlynn is the author of Hothouse (Sarabande Books 2017), I Have to Go Back to 1994 and Kill a Girl (Sarabande Books 2009), and several chapbooks including The 9-Day Queen Gets Lost on Her Way to the Execution (Willow Springs Editions 2016). Her poems have recently appeared in The Kenyon Review, Ploughshares, Black Warrior Review, Ninth Letter, Georgia Review, Witness, and The Academy of American Poet’s Poem-A-Day. Karyna holds an MFA in Poetry from the University of Michigan, and earned her PhD in Literature and Creative Writing from the University of Houston where she served as Managing Editor for Gulf Coast. Her honors include the Verlaine Prize, the Kathryn A. Morton Prize, the Hopwood Award, and the Diane Middlebrook Fellowship in Poetry at the University of Wisconsin. Karyna recently taught in the Creative Writing department at Oberlin College and is currently a Visiting Assistant Professor of Literature & Languages at Christian Brothers University. Find her online at www.karyna.io.

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Michael Marberry
Issue 11
jillfornewgrist

Kalamazoo

Michael Marberry’s poetry has appeared in journals like The New Republic, West Branch, Sycamore Review, Waxwing, and elsewhere and in anthologies like The Pushcart Prize Anthology, Best of the Net, The Southern Poetry Anthology, and New Poetry from the Midwest. He is originally from rural Tennessee and is currently the Creative Writing Fellow in Poetry at Emory University. More of his work can be found at www.michaelmarberry.com.

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M.E. MacFarland
Issue 11
jillfornewgrist

Interview

Matt MacFarland’s manuscript Singing Saw was a finalist for the 2017 New Issues Poetry Prize. His poems have appeared in The Southern Review, Third Coast, Memorious, Mid-American Review, Iron Horse, and elsewhere. He graduated from the University of Virginia MFA program and lives in Charlottesville, where he works as a business journalist and editor.

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Peter LaBerge
Issue 11
jillfornewgrist

Revlon

Peter LaBerge is the author of the chapbooks Makeshift Cathedral (YesYes Books, 2017) and Hook (Sibling Rivalry Press, 2015). His recent work appears in Best New Poets, Crazyhorse, Harvard Review, Iowa Review, Kenyon Review Online, Pleiades, Tin House, and elsewhere. He is the founder and editor-in-chief of the Adroit Journal, and is the recipient of a fellowship from the Bucknell University Stadler Center for Poetry. He recently graduated with his B.A. in English from the University of Pennsylvania, and currently lives and works in the Bay Area.

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Kayleb Rae Candrilli
Issue 11
jillfornewgrist

Sinners must live with what their sins sow

Kayleb Rae Candrilli is author of What Runs Over, forthcoming with YesYes Books and winner of the 2016 Pamet River Prize. They are published or forthcoming in BOAAT Press, Puerto del Sol, Booth, Vinyl, Muzzle, Cream City Review, and others. Candrilli is a Best of the Net winner and a Pushcart Prize nominated poet. They serve as an assistant poetry editor for BOAAT Press and they hold an MFA from the University of Alabama. Candrilli now lives in Philadelphia with their partner.

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GRIST POETRY

Ally Harris

My Luxurious Escalade

Ally Harris is the author of three chapbooks of poetry: Dispersal (The Song Cave, 2019), Her Twin Was After Me (Slim Princess Holdings, 2014) and floor baby (dancing girl press, 2011). She has poems in Apology Magazine, Denver Quarterly, Bennington Review, BOAAT Press, Grist Journal, Salt Hill, The Volta, and more. She was the recent recipient of a Regional Arts & Culture Council Grant for a project related to her reading series Submission, based out of Portland, OR. You can follow her on Twitter at @submissionpdx.

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Julia Kolchinsky Dasbach

Archive

Julia Kolchinsky Dasbach emigrated from Dnepropetrovsk, Ukraine as a Jewish refugee when she was six years old. She holds an MFA in Poetry from the University of Oregon and is a Ph.D. candidate in Comparative Literature at the University of Pennsylvania where her research focuses on contemporary American poetry about the Holocaust. Julia is the author of THE MANY NAMES FOR MOTHER, winner of the Stan and Tom Wick Poetry prize, forthcoming from Kent State University Press in the fall of 2019, and The Bear Who Ate the Stars (Split Lip Press, 2014). Her poems have recently appeared in or are forthcoming from POETRY, Best New Poets, American PoetryReview, TriQuarterly, and Nashville Review, among others. Julia is the Editor-in-Chief of Construction Magazine (www.constructionlitmag.com) and when not busy chasing her toddler around the playgrounds of Philadelphia, she writes a blog about motherhood (https://otherwomendonttellyou.wordpress.com/). Check out her website at www.juliakolchinskydasbach.com

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Benjamin Winkler

LXVI.

Benjamin Winkler lives in Philadelphia, PA. His work has been published in The Ilanot Review, Makeout Creek, and Lockjaw Mag. Find him on social media at @cmdrcallowhill.

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Raena Shirali

the villagers’ story

Raena Shirali is the author of GILT (YesYes Books, 2017). Her honors include a 2016 Pushcart Prize, the 2016 Cosmonauts Avenue Poetry Prize, the 2014 Gulf Coast Poetry Prize, & a “Discovery” / Boston Review Poetry Prize in 2013. Her poems & reviews have appeared in Blackbird, Ninth Letter, Crazyhorse, Indiana Review, Pleiades, Four Way Review, & several other journals. She has performed at Indiana University, Wright State University, Slam Free or Die!, Berl’s Brooklyn Poetry Shop, Columbus College of Art & Design, & elsewhere. Born in Houston, Texas, & raised in Charleston, South Carolina, the Indian American poet earned her MFA from The Ohio State University. Most recently, she was the Philip Roth Resident at Bucknell University’s Stadler Center for Poetry. She currently lives in Philadelphia & serves as a poetry reader for YesYes Books & Muzzle Magazine.

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Grist is publishes a print publication annually featuring work of high literary quality from both emerging and established writers. Welcoming all styles and aesthetic approaches, Grist is committed to diversity, inclusivity, cultural interchange, and respect for all individuals who are part of the literary community.