SUBMIT
Grist: A Journal of the Literary Arts, seeks high quality submissions from both emerging and established writers. We publish craft essays and interviews as well as fiction, nonfiction, and poetry—and we want to see your best work, regardless of form, style, or subject matter.
Past issues have included such writers as Dan Albergotti, Dorothy Allison, Ellen Bass, Richard Bausch, Katherine Boo, Maud Casey, May-lee Chai, Peter Ho Davies, Timothy Donnelly, Denise Duhamel, Tom Franklin, Elizabeth Gilbert, Joy Harjo, Lyn Hejinian, Bob Hicok, T.R. Hummer, Adam Johnson, Fady Joudah, Dorianne Laux, Dorothea Lasky, Dana Levin, Julia B. Levine, Lisa Lewis, Thomas Lynch, Khaled Mattawa, Joseph Millar, Ander Monson, Danielle Pafunda, Ron Rash, Hilda Raz, Maggie Smith, Maura Stanton, Michael Steinberg, Virgil Suárez, Julie Marie Wade, William Wenthe, and many others.
We read between May 15th and August 15th. Please note that we do not accept snail mail submissions. Please do not mix genres in the same submission. For each genre, please wait until we have responded to your current submission before submitting another. We do not consider previously published work. We discourage the submission of multiple drafts of the same work during a submission period unless a revision was requested by an editor. We do not consider work from those currently or recently affiliated with the University of Tennessee at Knoxville.
Simultaneous submissions are acceptable as long as we are immediately notified if the piece has been accepted elsewhere. While we can’t always personally respond to each withdrawal or partial withdrawal notice, rest assured that the information has been entered into the system. We’re sorry, but Grist does not accept authors in back-to-back issues.
Grist is committed to diversity, inclusivity, cultural interchange, and respect for all individuals. In the case of all submitted and/or accepted work, if an author behaves or speaks publicly—or is revealed or accused to have behaved or spoken, even in private—in ways that contradict these expressed values of the journal, then we reserve the right to disqualify an author’s submission, release the author from any contract, and/or remove their work from our archives.
Our submission fee (waived for subscribers) is $4 for three to five poems, for one work of fiction up to 7,000 words, or for one work of non-fiction up to 7,000 words (in all of our prose categories, we are also open to considering flash pieces as long as they are submitted in one document and do not total over 7000 words). The bulk of our reading fee goes to paying our writers; the rest covers our Submittable fees and a portion of our publishing costs, which helps us to make a high-quality home for a wide variety of the best national and international creative and literary work available to us. We hope that you will regard this fee as an investment in you, the writers who keep us going, while also serving as a sign of your support for the literary art we all value so much.
Average response time is 2-4 months. If you have not received a response after four months, send a query email to your genre’s editor.
Submissions will be considered for publication in either the print issue or here online. Payment is $10 per poem or 1 cent per word for prose (up to $50), as well as a contributor copy. Additional copies are also available at a reduced price for contributors.
To submit your work to the journal, please read our guidelines below and then submit via our online submissions manager, Submittable. To pitch ideas or submit reviews or craft essays please read our submission guidelines on this page. To submit to our annual ProForma contest, please see our Contest page.
SUBMISSION GUIDELINES
POETRY — Submit 3-5 poems. Times New Roman, size 12 font.
NONFICTION — Submit one essay up to 7,000 words. Times New Roman, size 12 font.
ESSAYS — Submit one craft essay up to 7,000 words. Times New Roman, size 12 font.
REVIEWS — Grist seeks reviews of books published by small and independent presses in the genres of fiction, poetry, creative nonfiction, essays on craft, and books about the creative process as it relates to all artistic mediums, including visual art. While most reviews follow the standard model, experimentation with the review form is also welcome, with the understanding that clarity is always a virtue. We focus on small, independent, and university presses because we think there are already plenty of other outlets for books by major publishers. And while we believe that all books deserve serious, critical commentary, we don’t see much value in wasting our time (or our readers’!) on a review of a book we don’t recommend. So: as a reviewer, we want you to be honest, but we also want you to highlight the books you’re excited about, and leave aside the others. We look for approximately 700 words, are happy to request books for you, and will work with you on establishing a timeline that works for you (although we usually ask reviews be completed in 4-8 weeks). If you have an interest in reviewing for Grist, book suggestions, or any questions, please contact our Reviews Editor, Alex Sausa.
GENERAL NOTE — To pitch an idea for a craft essay, review, or other piece you think would be a great fit, please contact our Managing Editor for Online Content, Maggie Hess.
ISSUE 16 GRIST STAFF
Editor-in-Chief
Kate Wright
Poetry Editor
Sam Herschel Wein
Poetry Editor
Sarah Harshbarger
Fiction Editor
Mariah Rigg
Nonfiction Editor
Emily Jalloul
Managing Editor
Maggie Rue Hess
Managing Editor for Online Content
Tara Ross
Reviews Editor
Read Online Content
Origin Story
Danielle Cadena Deulen is the author of four books. Her most recent poetry collection is Desire Museum (BOA Editions, 2023). Her previous books include Our Emotions Get Carried Away Beyond Us,which won the Barrow Street Book Contest; The Riots, which won the AWP Prize in Creative Nonfiction and the GLCA New Writers Award; and
Shara Lessley is the author of The Explosive Expert’s Wife and Two-Headed Nightingale, and co-editor of The Poem’s Country: Place & Poetic Practice, an anthology of essays. A former Wallace Stegner Fellow, her awards include an NEA fellowship, the Mary Wood Fellowship from Washington College, the Diane Middlebrook Poetry Fellowship from the Wisconsin Institute for Creative Writing, an Olive B. O’Connor Fellowship from Colgate University, and a “Discovery”/The Nation prize, among others. Shara’s poems and essays have appeared in Ploughshares, The Gettysburg Review, The Kenyon Review, and IMAGE, and have been included in the Pushcart and Best American Poetry anthologies. She is Consulting Editor for Acre Books.
Most Non-Compete Clauses are Legally Unenforceable
Robert Walikis is a writer, playwright, poet, and songwriter. His short stories “Terrafir” and “Peak Child” were semifinalists for the North American Review‘s 2023 and 2022 Kurt Vonnegut Speculative Fiction Prizes. His very short story “Funerary Rumors” was second runner-up for PRISM International‘s 2022 Grouse Grind Lit Prize for V Short Forms. His work has appeared or is forthcoming in Post Road, PRISM International, Bridge Eight, and elsewhere. Rob lives in Maine with his wife-partner-writer Diana Mullins. He makes maps and tells stories. Read more at www.robertwalikis.com.
We Could Fix You
Alan Sincic teaches at Valencia College. His fiction has appeared in the New Ohio Review, Greensboro Review, Saturday Evening Post, and elsewhere/ His short stories have won contests sponsored by the Texas Observer, Driftwood Press, Prism Review, Westchester, American Writer’s Review, Broad River Review, and Pulp Literature. The opening chapter of his novel, The Slapjack, won the 2021 First Pages Prize.
Grist: A Journal of the Literary Arts, seeks high quality submissions from both emerging and established writers. We publish craft essays and interviews as well as fiction, nonfiction, and poetry—and we want to see your best work, regardless of form, style, or subject matter.
Past issues have included such writers as Dan Albergotti, Dorothy Allison, Ellen Bass, Richard Bausch, Katherine Boo, Maud Casey, May-lee Chai, Peter Ho Davies, Timothy Donnelly, Denise Duhamel, Tom Franklin, Elizabeth Gilbert, Joy Harjo, Lyn Hejinian, Bob Hicok, T.R. Hummer, Adam Johnson, Fady Joudah, Dorianne Laux, Dorothea Lasky, Dana Levin, Julia B. Levine, Lisa Lewis, Thomas Lynch, Khaled Mattawa, Joseph Millar, Ander Monson, Danielle Pafunda, Ron Rash, Hilda Raz, Maggie Smith, Maura Stanton, Michael Steinberg, Virgil Suárez, Julie Marie Wade, William Wenthe, and many others.
We read between May 15th and August 15th. Please note that we do not accept snail mail submissions. Please do not mix genres in the same submission. For each genre, please wait until we have responded to your current submission before submitting another. We do not consider previously published work. We discourage the submission of multiple drafts of the same work during a submission period unless a revision was requested by an editor. We do not consider work from those currently or recently affiliated with the University of Tennessee at Knoxville.
Simultaneous submissions are acceptable as long as we are immediately notified if the piece has been accepted elsewhere. While we can’t always personally respond to each withdrawal or partial withdrawal notice, rest assured that the information has been entered into the system. We’re sorry, but Grist does not accept authors in back-to-back issues.
Grist is committed to diversity, inclusivity, cultural interchange, and respect for all individuals. In the case of all submitted and/or accepted work, if an author behaves or speaks publicly—or is revealed or accused to have behaved or spoken, even in private—in ways that contradict these expressed values of the journal, then we reserve the right to disqualify an author’s submission, release the author from any contract, and/or remove their work from our archives.
Our submission fee (waived for subscribers) is $4 for three to five poems, for one work of fiction up to 7,000 words, or for one work of non-fiction up to 7,000 words (in all of our prose categories, we are also open to considering flash pieces as long as they are submitted in one document and do not total over 7000 words). The bulk of our reading fee goes to paying our writers; the rest covers our Submittable fees and a portion of our publishing costs, which helps us to make a high-quality home for a wide variety of the best national and international creative and literary work available to us. We hope that you will regard this fee as an investment in you, the writers who keep us going, while also serving as a sign of your support for the literary art we all value so much.
Average response time is 2-4 months. If you have not received a response after four months, send a query email to your genre’s editor.
Submissions will be considered for publication in either the print issue or here online. Payment is $10 per poem or 1 cent per word for prose (up to $50), as well as a contributor copy. Additional copies are also available at a reduced price for contributors.
To submit your work to the journal, please read our guidelines below and then submit via our online submissions manager, Submittable. To pitch ideas or submit reviews or craft essays please read our submission guidelines on this page. To submit to our annual ProForma contest, please see our Contest page.
SUBMISSION GUIDELINES
POETRY — Submit 3-5 poems. Times New Roman, size 12 font.
NONFICTION — Submit one essay up to 7,000 words. Times New Roman, size 12 font.
ESSAYS — Submit one craft essay up to 7,000 words. Times New Roman, size 12 font.
REVIEWS — Grist seeks reviews of books published by small and independent presses in the genres of fiction, poetry, creative nonfiction, essays on craft, and books about the creative process as it relates to all artistic mediums, including visual art. While most reviews follow the standard model, experimentation with the review form is also welcome, with the understanding that clarity is always a virtue. We focus on small, independent, and university presses because we think there are already plenty of other outlets for books by major publishers. And while we believe that all books deserve serious, critical commentary, we don’t see much value in wasting our time (or our readers’!) on a review of a book we don’t recommend. So: as a reviewer, we want you to be honest, but we also want you to highlight the books you’re excited about, and leave aside the others. We look for approximately 700 words, are happy to request books for you, and will work with you on establishing a timeline that works for you (although we usually ask reviews be completed in 4-8 weeks). If you have an interest in reviewing for Grist, book suggestions, or any questions, please contact our Reviews Editor, Sarah Yancy.
GENERAL NOTE — To pitch an idea for a craft essay, review, or other piece you think would be a great fit, please contact our Managing Editor for Online Content, Elizabeth Cooley.
GRIST STAFF
Emily Jalloul
Editor-in-Chief
Elysia Mann
Art & Design Editor
Jeffrey Amos
Fiction Editor
Jacque Scott
Nonfiction Editor
Ashley Dailey
Poetry Editor
Andrew Butler
Poetry Editor
Marisa Stickel
Managing Editor
Bess Cooley
Managing Editor, Online Content
Sarah Yancey
Reviews Editor
Katie Haire
Social Media Editor
Rachel Harper
Events & Promotions Coordinator