Submit

show us your work

Subscribe

to the publication

ProForma

enter contest

Submit

show us your work

Subscribe

to the publication

ProForma

enter contest

POETRY

Jesus in the Desert

by Colin Cheney

Don’t tell me who my father is
Adam, bourbon-drunk
& we around his September fire, this spitted pork-loin
turning slow off a 9-volt & slathered
in pepper & mustard by hand—Don’t tell me who
my fucking father is.

(Call it the devil, if you must,

how this feels.

You’d be mad or driven

to wilderness

if climbing out the river

that ache still unreleased

you heard something bird-kin

say yer the Son of everything

In the dark, now, beyond the fire: ruin
Adam wants to re-take. In sweet William
& daylilies gone volunteer
he sees this lattice of veined copper,
& a tub from the second story
all bone-light in alders: the negative
of his father’s once lightning-took home
now wilderness nearly.

(And Satan said

just say the word, & Christ

told him to fuck off,

from the city on the mountains, the psalms,

don’t they—

& Christ tells him again, fuck off.

Which isn’t the conversation
we’re having. Okajima on the radio
is pitching well in the sixth,
though I want us to lose
as though that madness blossoming
inside me could, green-flash in the fuse box
of memory, burn everything away
into some new season.

(Some gospels

say spirit, some madness

or maybe temptation

took Jesus into the desert

or was it wilderness?

But that isn’t the conversation we’re having.
He’s still arguing about his father,
& no one said anything
about his father.

We walk into the valley to a bar

& still cradling the dog—light
about something massive,
something dark—
Adam calls his brother in the city

(in the desert, mad

with thirst & wonder asking

the very earth

Tell me about my father

& the announcer’s saying two out
in the eighth but I can’t hear who they’re putting in
& I’m imagining

the green of the outfield

what Jesus escaped into

anemone, cyclamen

all suburb now.

As the son of everything

climbed free of the river, the dove
refusing to just stop already, John’s hands
reeking of water & goat
not nearly baptism enough,
he felt that want rising, knowing
everything was not nearly Father enough.

What was it

our father didn’t want me to know?

His brother,

elsewhere, also watching the game,
listens carefully,

says, carefully,

fuck off.

Colin Cheney
Colin Cheney is the author of <em?Here Be Monsters (Georgia University Press, 2010), a National Poetry Series selection. His work has appeared in publications such as AGNI, American Poetry Review, The Kenyon Review, Ploughshares, and Poetry. He has received a Pushcart Prize and a Ruth Lilly Fellowship. He is an editor of Tongue: A Journal of Writing & Art, and the creator and co-host of the podcast Poet in Bangkok.

More Poetry

Issue 16

The Judas Tree

Erica Wright is the author of seven books, including the poetry collection All the Bayou Stories End with Drowned (Black Lawrence Press) and the essay collection Snake (Bloomsbury). She was the poetry editor of Guernica for more than a decade.

Read More »
Issue 16

If I Erase My Body

Jennifer Whalen (she/her) is a poet & educator from the Northern Kentucky/Cincinnati, Ohio area. She is the author of the poetry collection Eveningful (2024), which was selected by Rick Barot as the winner of the 2022 Lightscatter Press Prize. Her poems can be found in Gulf Coast, Denver Quarterly, Southern Indiana Review, New South, Glass: A Journal for Poetry, The Boiler, & elsewhere. She previously served as writer-in-residence at Texas State University’s Clark House and currently teaches English at the University of Illinois Springfield.

Read More »
Issue 16

When I Grow Up I Want to Be the Culmination of Things I Took for Granted

Hiba Tahir is a YA author and 2022 graduate of the University of Arkansas MFA, where she received the Carolyn Walton Cole Endowment Fund, the J. Chester and Freda S. Johnson Graduate Fellowship, and the James T. Whitehead Award. She is a 2020 recipient of an Artists 360 Grant from Mid-America Arts Alliance and a 2021 Individual Artist Fellowship from the Arkansas Arts Council.

Read More »

More Poetry

The Judas Tree

Erica Wright is the author of seven books, including the poetry collection All the Bayou Stories End with Drowned (Black Lawrence Press) and the essay collection Snake (Bloomsbury). She was the poetry editor of Guernica for more than a decade.

Read More »

If I Erase My Body

Jennifer Whalen (she/her) is a poet & educator from the Northern Kentucky/Cincinnati, Ohio area. She is the author of the poetry collection Eveningful (2024), which was selected by Rick Barot as the winner of the 2022 Lightscatter Press Prize. Her poems can be found in Gulf Coast, Denver Quarterly, Southern Indiana Review, New South, Glass: A Journal for Poetry, The Boiler, & elsewhere. She previously served as writer-in-residence at Texas State University’s Clark House and currently teaches English at the University of Illinois Springfield.

Read More »

When I Grow Up I Want to Be the Culmination of Things I Took for Granted

Hiba Tahir is a YA author and 2022 graduate of the University of Arkansas MFA, where she received the Carolyn Walton Cole Endowment Fund, the J. Chester and Freda S. Johnson Graduate Fellowship, and the James T. Whitehead Award. She is a 2020 recipient of an Artists 360 Grant from Mid-America Arts Alliance and a 2021 Individual Artist Fellowship from the Arkansas Arts Council.

Read More »

Angels

Susannah Sheffer’s poetry collections are This Kind of Knowing (Cooper Dillon Books, 2013), Break and Enter (Kelsay Books, 2021), and a new book forthcoming from Cornerstone Press’s Portage Poetry Series in early 2025. Her nonfiction books include Fighting for Their Lives: Inside the Experience of Capital Defense Attorneys (Vanderbilt University Press, 2013). She lives in Western Massachusetts.

Read More »