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Craft Articles

Craft
Emily Jalloul

Dissent by Descent—Diving into the Madness and Rejecting Genre Boundaries | by Cassidy McCants

Cassidy McCants is a writer and editor from Tulsa, Oklahoma. She received her M.F.A. in fiction writing at Vermont College of Fine Arts. She edits for Nimrod Journal and is creator/editor of Apple in the Dark. Her prose has appeared in The Lascaux Review, Liars’ League NYC, Gravel, The Idle Class, filling Station, Witch Craft Magazine, and other publications. She won the 2020 Innovative Short Fiction Contest from The Conium Review, and her stories have received honorable mentions from Glimmer Train Press. She is a 2020 Artist INC fellow.

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Craft
Emily Jalloul

The Nonfiction of Skin | by Alizabeth Worley

Alizabeth Worley lives in Utah with her husband, Michael, and their two sons, just north of BYU where she received an MFA. She was a 2016 poetry winner of the AWP Intro Journals award and her essays, poems, and illustrated works have appeared in Iron Horse Literary Review, Hobart, Sweet: A Literary Confection, and elsewhere. You can find more of her work at alizabethworley.com.

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Craft
Emily Jalloul

What Is Poetry For? | by James McKee

James McKee enjoys failing in his dogged attempts to keep pace with the unrelenting cultural onslaught of late-imperial Gotham. His debut poetry collection, The Stargazers, was published in the spring of 2020, and his poems have appeared or are forthcoming in New Ohio Review, New World Writing, The Ocotillo Review, Illuminations, CutBank, The Raintown Review, Flyway, Saranac Review, THINK, The Midwest Quarterly, Xavier Review, and elsewhere. He spends his free time, when not writing or reading, traveling less than he would like and brooding more than he can help.

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Craft
Emily Jalloul

Poets of Dos Lenguas | by Alejandro Lemus-Gomez

Alejandro Lemus-Gomez is a Davies-Jackson Scholar of Modern and Medieval Languages at the University of Cambridge. He was a finalist for the 2020 C.D. Wright Emerging Poet’s Prize and a 2019 Bucknell Seminar for Undergraduate Poets fellow. His poetry and academic work is forthcoming or has appeared in The Journal, the Afro-Hispanic Review, storySouth, The Indiana Review Online, and other journals.

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GRIST CRAFT ARTICLES

The Dark Pages: Updating Patterns of Rape in Fiction by Zoe Marzo

Zoe Marzo is a writer in Los Angeles. She has a B.A. from Antioch University Los Angeles and an M.F.A. in fiction writing from Vermont College of Fine Arts. She’s a doctoral student in Depth Psychology at Pacifica Graduate Institute. Her writing has appeared in The Rumpus, Popshot Quarterly, Tahoma Literary Review, and other publications.

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Chiasmus by Matthew Wimberley

Matthew Wimberley grew up in the Blue Ridge Mountains. He is the author of two collections of poetry, Daniel Boone’s Window (LSU, 2020), selected by Dave Smith for the Southern Messenger Poetry series, and All the Great Territories (SIU, 2020), winner of the 2018 Crab Orchard Poetry Series First Book award, winner of the Weatherford Award. Winner of the 2015 William Matthews Prize from the Asheville Poetry Review, his work was selected by Mary Szybist for the 2016 Best New Poets Anthology and his writing has appeared most recently in the Poem-a-Day series from the Academy of American Poets. Wimberley received his MFA from NYU where he worked with children at St. Mary’s Hospital as a Starworks Fellow. He is an Assistant Professor of English at Lees-McRae College in Banner Elk, NC.

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Cultivating Empathy through Mimetic Forms by Brenna Womer

Brenna Womer is an experimental prose writer, poet, and professor. She is the author of honeypot (Spuyten Duyvil, 2019) and two chapbooks, Atypical Cells of Undetermined Significance (C&R Press, 2018) and cost of living (Finishing Line Press, 2022). Her work has appeared in North American Review, Indiana Review, McSweeney’s Internet Tendency, The Pinch, and elsewhere. She is the editor of Shenandoah and a contributing editor for Story Magazine.

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Being Nobody, or How I Was Radicalized by Emily Dickinson | by M. Jamie Zuckerman

M Jaime Zuckerman is the author of two chapbooks, most recently Letters to Melville (Ghost Proposal, 2018) as well as poems in BOAAT, Diode, Fairy Tale Review, Hunger Mountain, Palette, Prairie Schooner, Southern Humanities Review, and other journals. She serves as the associate editor for Sixth Finch and a senior reader for Ploughshares. She grew up in the woods but now lives and teaches in Boston, MA.

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Show us your work.

We read for our ProForma Contest every spring from March 15 – April 30 and for general submissions from May 15 – August 15. Our print issue is published annually with accompanying online content.