Craft Articles

Why Translate? by Darren Jackson
Darren Jackson’s poems and translations have appeared or are forthcoming in Circumference, The Pinch, The Laurel Review, The Offending Adam, Bluestem, and other journals. He has translated Life in the Folds by Henri Michaux (Wakefield Press, forthcoming Fall 2014); “The White Globe,” an essay by Bertrand Westphal, forthcoming from Northwestern University Press in The Planetary Turn: Art, Dialogue, and Geoaesthetics in the 21st Century; and A Free Air by Albane Gellé. He also collaborated with Marilyn Kallet and J. Bradford Anderson on the translation of Chantal Bizzini’s Disenchanted City (Black Widow Press, September 2014).

A Bio You Won’t Read: I Am From Nowhere and My Work Does Not Address a Sense of Place by Charlotte Pence
Charlotte Pence’s first full-length poetry collection, Spike, will be released by Black Lawrence Press in 2014. A professor of English and creative writing at Eastern Illinois University, she is also the author of two award-winning poetry chapbooks and the editor of The Poetics of American Song Lyrics (University Press of Mississippi, 2012).

On Messiness and Polish: Some Thoughts on Publishing and Why We’re Launching a Blog by Christian Anton Gerard
Christian Anton Gerard is editor-in-chief of Grist. His first book of poems, Wilmot Here, Collect For Stella, is forthcoming in spring 2014 from WordTech.

Beyond the Black and White: Adding Depth and Complexity to the Short Story by Tawnysha Greene
Tawnysha Greene received her PhD from the University of Tennessee where she served as the fiction editor for Grist: The Journal for Writers. Her work has appeared in PANK, Bellingham Review, and Weave Magazine. Her first novel, A House Made of Stars, was released from Burlesque Press in 2015.
GRIST CRAFT ARTICLES

“I Write for My Beloveds”: An Interview with Javeria Hasnain
Javeria Hasnain is a poet, translator, and educator from Karachi, and the author of SIN (Chestnut Review, 2024). Her poetry and prose have appeared widely, including in Pleiades, Poet Lore, Foglifter, beestung, and elsewhere. She has an MFA in Poetry from The New School, and has received fellowships and scholarships from Fulbright, Teachers & Writers, and Sewanee Writers Conference, among others.
Shlagha Borah (she/her) is from Assam, India. Her work appears in Poetry Northwest, Cincinnati Review, Salamander, and elsewhere. She received an MFA in Poetry from the University of Tennessee, Knoxville and is an Assistant Editor at The Offing. She’s a 2024 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship finalist. Her work has been supported by Brooklyn Poets, The Hambidge Center, The Peter Bullough Foundation, VCCA, among others. She is the co-founder of Pink Freud, a student-led collective working towards making mental health accessible in India. Her work is available at www.shlaghaborah.com.

Risking the Hug: An Examination of Sentimentality and Sincerity in Lars and the Real Girl by Daniel Abiva Hunt
Daniel Abiva Hunt holds an MFA from the University of Houston. His stories and essays have appeared in New England Review, The Masters Review, CRAFT, Maine Review, Portland Review, and elsewhere. He is currently a PhD student at the University of Cincinnati, where he teaches and studies fiction.

Poetic Endings: Nailing Down the Threshold by Dia Calhoun and Deborah Bacharach
Deborah Bacharach (left photo) is the author of two full length poetry collections Shake & Tremor (Grayson Books, 2021) and After I Stop Lying (Cherry Grove Collections, 2015). Her poems, book reviews and essays have been published in Poetry Ireland Review, New Letters, Poet Lore and The Writer’s Chronicle among many others, and she has received a Pushcart prize honorable mention. She is currently a poetry reader for SWWIM and Whale Road Review and a mentor with PEN America. She lives in Seattle. Find out more about her at DeborahBacharach.com.
Dia Calhoun (right photo) is the author of seven young adult novels, including two verse novels, After the River the Sun and Eva of the Farm (Atheneum, 2013, 2012). She has won the Mythopoeic Fantasy Award; published poems and essays in The Nashville Review, The Writer’s Chronicle; EcoTheo Review; MORIA Literary Magazine; And Blue Will Rise Over Yellow: An International Poetry Anthology for Ukraine, and others. She co-founded readergirlz, recipient of The National Book Foundation Innovations in Reading Prize and taught creative writing at Seattle University and Stony Brook University. More at diacalhoun.com.

The Manananggal as Mythmaking by Melanie Manuel
Melanie H. Manuel is a Filipina American poet. She obtained her BA from UC Davis in English and Asian American Studies and is currently attending SDSU for her MFA in poetry. She is a recipient of the Prebys Creative Writing Scholarship, the Master’s Research Fellowship, and most recently, the Sarah B. Marsh-Rebelo Scholarship. She is the Production Editor for PIOnline and teaches in the Rhetoric and Writing Studies department. Her work has been published by Third Iris Zine and North American Review, and she has forthcoming work with minnesota review, Porkbelly Press, and Zone 3.
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