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Portrait of Arthur Rimbaud by Jean-Louis Forain. Via Wikimedia Commons.

Why Translate? by Darren Jackson

Darren Jackson’s poems and translations have appeared or are forthcoming in Circumference, The Pinch, The Laurel Review, The Offending Adam, Bluestem, and other journals. He has translated Life in the Folds by Henri Michaux (Wakefield Press, forthcoming Fall 2014); “The White Globe,” an essay by Bertrand Westphal, forthcoming from Northwestern University Press in The Planetary Turn: Art, Dialogue, and Geoaesthetics in the 21st Century; and A Free Air by Albane Gellé. He also collaborated with Marilyn Kallet and J. Bradford Anderson on the translation of Chantal Bizzini’s Disenchanted City (Black Widow Press, September 2014).

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GRIST CRAFT ARTICLES

“I Write for My Beloveds”: An Interview with Javeria Hasnain

Javeria Hasnain is a poet, translator, and educator from Karachi, and the author of SIN (Chestnut Review, 2024). Her poetry and prose have appeared widely, including in Pleiades, Poet Lore, Foglifter, beestung, and elsewhere. She has an MFA in Poetry from The New School, and has received fellowships and scholarships from Fulbright, Teachers & Writers, and Sewanee Writers Conference, among others.

Shlagha Borah (she/her) is from Assam, India. Her work appears in Poetry Northwest, Cincinnati Review, Salamander, and elsewhere. She received an MFA in Poetry from the University of Tennessee, Knoxville and is an Assistant Editor at The Offing. She’s a 2024 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship finalist. Her work has been supported by Brooklyn Poets, The Hambidge Center, The Peter Bullough Foundation, VCCA, among others. She is the co-founder of Pink Freud, a student-led collective working towards making mental health accessible in India. Her work is available at www.shlaghaborah.com.

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Poetic Endings: Nailing Down the Threshold by Dia Calhoun and Deborah Bacharach

Deborah Bacharach (left photo) is the author of two full length poetry collections Shake & Tremor (Grayson Books, 2021) and After I Stop Lying (Cherry Grove Collections, 2015). Her poems, book reviews and essays have been published in Poetry Ireland Review, New Letters, Poet Lore and The Writer’s Chronicle among many others, and she has received a Pushcart prize honorable mention. She is currently a poetry reader for SWWIM and Whale Road Review and a mentor with PEN America. She lives in Seattle. Find out more about her at DeborahBacharach.com.

Dia Calhoun (right photo) is the author of seven young adult novels, including two verse novels, After the River the Sun and Eva of the Farm (Atheneum, 2013, 2012). She has won the Mythopoeic Fantasy Award; published poems and essays in The Nashville Review, The Writer’s Chronicle; EcoTheo Review; MORIA Literary Magazine; And Blue Will Rise Over Yellow: An International Poetry Anthology for Ukraine, and others. She co-founded readergirlz, recipient of The National Book Foundation Innovations in Reading Prize and taught creative writing at Seattle University and Stony Brook University. More at diacalhoun.com.

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Headshot of the author, wearing glasses and a gray cami, looking forward

The Manananggal as Mythmaking by Melanie Manuel

Melanie H. Manuel is a Filipina American poet. She obtained her BA from UC Davis in English and Asian American Studies and is currently attending SDSU for her MFA in poetry. She is a recipient of the Prebys Creative Writing Scholarship, the Master’s Research Fellowship, and most recently, the Sarah B. Marsh-Rebelo Scholarship. She is the Production Editor for PIOnline and teaches in the Rhetoric and Writing Studies department. Her work has been published by Third Iris Zine and North American Review, and she has forthcoming work with minnesota review, Porkbelly Press, and Zone 3.

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We read for our ProForma Contest every spring from March 15 – April 30 and for general submissions from May 15 – August 15. Our print issue is published annually with accompanying online content.